slow dive, surfacing

First line written yesterday:
"I'm back, and nothing is the same."
Last line written yesterday:
"Maybe I should tell her about the trolls."

First line written today:
"The gas station has swollen hugely."

So far I have held to the no-deletion-except-for-errors rule. Today I want to add in speed, and throwing the wrong word in if I cannot bring up the right word right away. This is particularly difficult because my usual comfort is that I can fix a poor wording in editing. But I have never had time to edit a 3-Day ms. and I know I won't have time this go-round either.

Lacking a plot and characters, I've brought out versions of both from a short story that wouldn't come together earlier this year. I suppose it might be a poor omen to re-use aspects of a failure, but one reason the story wouldn't hold was that I couldn't bring it to a resolution in 5k, and had to keep cutting out bits that would have given it more resonance. So it may fill out a novella more successfully.
First person and present tense for the present-day storyline, and 3d-person past tense for the past storyline. It's surprisingly difficult to move to present tense after working in past, especially keeping track of which clauses and sentences should be in past tense while the narrative is in present. "The road was paved (at some time in the past)" and "The road is paved (and I am just seeing that now)"  have different connotations.

The cats have been relatively non-obstructionist so far. Khandi paces around on my desk and sticks her face in mine, or curls up and purrs in her basket. Priss demands to be on my lap when I go downstairs for food, or lurks on the stair landing to protect the house from evil other cats. There has only been one noisy cat-altercation, but it came when I was writing with concentration and had not noticed it building, so the effects lingered more than they might have.