Thursday, February 28, 2013

I win at shortlist

The results are in for the  3-Day Novel Contest, everybody!


GRAND PRIZE WINNER

THORAZINE BEACH by Bradley Harris of Memphis, Tennessee
Bradley Harris

* * *
SECOND PRIZE WINNER
Winning $500
Embodying Geography by Manpreet Dhaliwal of Surrey, B.C.
* * *
THIRD PRIZE WINNER
Winning $100
Drift, Disappear by Mallory McMahon of Brooklyn, New York
* * *
Our Top 12 Runners-Up
  • Suicide Season by Jay Bethke of Sioux Falls, South Dakota
  • Fauvel by Kayt Burgess of Aurora, Ontario
  • Recycled Virgins by Dorothyanne Brown of Dartmouth, Nova Scotia
  • Fall of Breath by Anne DeGrace of South Slocan, B.C.
  • The Clothes We Wear by Vanessa Fernando of Montreal, Quebec
  • Doorways by Barbara Gordon of Victoria, B.C.
  • The Pledge by Annie Mahoney of Toronto, Ontario
  • The Jewish Joke Factory by Kelsey Osgood of Brooklyn, New York
  • Werewolves of Vegas by Teresa Perrin of Albuquerque, New Mexico
  • Baselines by Anna Stewart of Bakersfield, California
  • Go Bullet by Rudy Thauberger of Vancouver, B.C.
  • Giant by Ben R. Williams of Basset, Virginia

And look, there I am, in alphabetical order.

Monday, February 11, 2013

putting things away on shelves

New stuff!
For Christmas I got a hand-me-down Mac Mini and keyboard, and a monitor twice the width of my previous one. Through the successive efforts of my son, my husband, and even me, I have Snow Leopard loaded and have downloaded some necessary applications (Scrivener, Bean, Dropbox). This all took a while, because I'm dilatory and disorganised. But here I am now, posting from the new machine.

On the less technologically advanced side... As I bicycled to work one dim grey morning, I was distracted by a looming darkness on the sidewalk. Because I'm a natural scavenger, even of looming darkness, I stopped, and discovered it to be two wooden bookcases (about 7' tall and almost 4' wide, maybe 8" deep) leaning against a power pole. That is tall, actual wood not particle board, shallow bookcases meant to contain books rather than sculptures and curios. Exactly what I need to get the stacked books and papers off the floor of my study.
You'll have noticed that bookcases of that size and presumed weight are going to be awkward loads. I was on a bike. So bungy-cording them, even one at a time, onto my bike-basket was not going to be an option. I stood pensively for a bit, thinking of my sleeping husband, and whether I should bike to work and phone him to bring the van and fetch them, or go home and wake him up to help me fetch them home. And what if someone else came along in the interim? If I'd had a cell phone, I might have called right then, but... Or was I overestimating the eagerness of the visible traffic - people heading in to work in compact cars - to load themselves up with two large bookcases?
Since I'd been on my way to a morning weights session, it was still pretty early. Soon traffic would pick up. Seize the day, I thought, and turned around. I bicycled quickly home, got the van and drove back. The bookcases were still there, hurrah!
Unfortunately, I could only park about 4 car lengths away (see: early morning, people not left for work yet). A challenge. Next question being whether I had overestimated my personal carrying capacity? I tipped the first bookcase and walked it down to horizontal on its side.  Oh good! It wasn't taller than me or my shoulder-height, sideways. I put myself midways of its length, tucked my shoulder under the uppermost side, and lifted.
Good thing I've been working out with weights.
If you find yourself doing this, gentle reader, be cleverer than me and fold something up to protect the bony point of your shoulder. I collected a nice dark bruise to mark the spot. The other bruise I acquired was at the upper curve of my calf, where the lower side of the bookcases bumped with each step. I proceeded to the van with a sort of chicken-hop, unable to take long steps because my knee would bump the shelf (this was on my left, because that's the good knee and I was reasonably sure it wouldn't buckle unexpectedly). Anyway, I understand why chickens don't routinely carry awkward loads on their nonexistent shoulders.
I couldn't set the case down, for fear I couldn't hoist it back up again, so finally reaching the back of the van, where I could prop one end up, was much relief. Pushing it into the van was dead easy. Pant, pant.   Then trotting around to the side door to move Mark's swords & stuff over so they wouldn't be trapped, then climbing into the van to push and pull the bookcase over to where I could slide the next one in beside it. Minor adjustments.
Back out for case number two. With really no excuse now for not having something over my shoulder to cushion, except that I didn't think of it until I found the bruise the next day. Case number two was heavier, subjectively, and I was slowing down. But! I reached the van, rested the top of the case and slid it in horizontally to lean against its twin. Hurrah!
Except that due to the width of the cases, and the aerodynamic slope of the van's back door, I wasn't going to be able to close the door. Not so hurrah.
Okay, we can deal with this. So I climbed into the van, moved the bag of swords again, and started wrestling with the bookcases, trying to lean them over enough that the upper back corner (of their current alignment, not their functional, upright alignment) would be low enough to clear the doorway. If you've ever, in a confined space, tried to manoeuvre two objects larger than yourself, one of which is leaning on the other, you may guess my degree of success. Fortunately, partway into this, I realised that they were both pressed against the back of the passenger seat--which can be moved forward. Hurrah!
So, I drove home, parked the van, and grabbed my bike. It says something about the subjective nature of time that I was still able to fit in a slightly abbreviated workout.
I left both cases in the van, so that Mark and I could share the fun of getting them up the twisty stairs. This involves a sort of slow-motion bootlegger's turn on the landing, with one person backing into the bedroom, then the other towards the bathroom, so that the long object can be aimed towards the study. In, and stood against the wall, repeat with next object.

All that though was nowt, nowt, to the fun of the next bookcase, oak veneer (if anything is heavier than oak, oak veneer would be it) and more like 5' wide, bought on usedvictoria. Mark and I together could barely get it into the van, and the counsel of wisdom would probably have been to say 'Um, no, this isn't going to work for us, sorry'. But I am not wise and dammit I am going to have bookshelves.
This case was too wide to lie flat in the back of the van, and lay a few inches above the floor, propped by the wheel-wells and creaking gently with the motion of the vehicle. Where it could not stay, for the van was needed immediately for loading other things. We got it haltingly out of the van, along the walk, and up the porch steps, where it stood oakenly.
Fortunately the next night people were over for dinner, and there was enough enthusiasm and muscles to get the behemoth bookcase up the stairs and into my study. Where it effectively blocked access to my desk for another week. But now it is upright, and braced against the wall (all credit to Mark the Wonder Husband), and books are moving into it.

I've thus been able to clear away the boxes of books and papers that were waiting for shelves, and reveal more floorspace. I brought out the blue-and-white oval rug and put it under the blue chair to mark out the reading space as distinct from the writing space, and I can pin up the maps and posters that were waiting for confirmed wall space.

Pics to come.

Friday, February 1, 2013

Can I post photos, though?

This is a test post, my dears. I have this iPad, you see, and it has ever so many photos on it, but so far it hasn't let me actually post them to my blogspot. This app promises it will help. So, with luck, I will be able to post a few photos of, oh, how about Christmas baking?


Or the bird that crashed into our window?


Okay, allegedly I have two photos, which are sitting at the bottom of the screen. How do I get them into the actual blog? I may have to hit Publish and see what happens.

ETA: On another computer, and not using the blogger app, I have moved the pics from the bottom of the post to the correct places within the text.


Tuesday, January 8, 2013

This is why I don't read litfic.

Every clause of this blurb further confirmed this as a book I would never, ever read:


Mothers and daughters ride the familial tide of joy, regret, loathing, and love in these stories of resilient and flawed women. In a battle between a teenage daughter and her mother, wheat bread and plain yogurt become weapons. An aimless college student, married to her much older professor, sneaks cigarettes while caring for their newborn son. On the eve of her husbands fiftieth birthday, a pilfered fifth of rum, an unexpected tattoo, and rogue teenagers leave a woman questioning her place.

That last sentence in particular sets up so much... and delivers a crashing anticlimax. The least it could do is finish with 'while standing in the ruins of her burnt-out house.'

Tuesday, December 25, 2012

Merry Christmas!

Apparently I have not posted anything at all this month. My virtuousness was confined to getting my Christmas cards sent, my charitable donations mailed out, presents bought, and cubicle decorated excessively. There was no virtue left over for posting. Or for decorating the house beyond a couple of door wreaths.
I thought I was so well ahead that I'd have lots of time for baking, but the days did that inexplicable shrinking thing they do as dates draw closer, so I am behind on my baking unless I were to only count shortbread.
I'd like to post some lovely artistic shortbread photos, but I'm on the iPad and it doesn't get along with  Blogger, so that will have to wait. But I thought I'd let you all know I'm still around.
More later, my dears!

Friday, November 30, 2012

girls on a road trip

I crawl out from under the heaps of apples and the much smaller heap of Nanowords to post a picture-studded side-trip. Specifically, a little about the Golden Swan event in October (this is apparently a non-chronological blog).
I've posted before about the Tournament of the Golden Swan. It's a persona-development SCA event, originally designed to encourage the more creative and less combative aspects of the Society for Creative Anachronism, or more pragmatically described, to give non-fighters something to do. This is done by testing how thoroughly entrants have researched and imagined the medieval person they present themselves as being.
Given that it's been going a fair few years, the contest has been stuck in several ways in a very SCA mindset, perhaps describable as a 1960s take on a romantic Victorian idea of the Middle Ages. As knowledge about medieval society and daily life has grown, and research within the SCA reached a higher standard, the better-researched your persona, the less likely you were to find a good fit with a contest that required an embroidered favour (an SCA tradition, not a medieval one) and expected entrants to inspire the lord who fought for them. Last year the outdated format was addressed once again, and actual changes were made.
Perhaps relatedly, there were three entrants this year, compared to none last year.


I leap ahead chronologically to show off a painting I did several years ago, for the Wild Women of Frozen Mountain. It's based on a German playing card, the Queen of Animals, and depicts a wild woman (covered in fur) with a unicorn.
It was hung up inside the hall, so I took the opportunity to get a digital pic of it.
Geez, guys, you could hem it sometime, you know? 

Anyway, Joan and Rosie and I drove out Friday morning--a beautiful clear Friday morning--from Port Moody. The plan was to have enough time to stop for scenery and wineries, and this worked out nicely.
Stop on the journey. Rosie surveys the Hope Slide. It must have been too cold for the chipmunks that Deirdre and I saw and fed, because they did not appear, though we made coaxing noises.

Stretching our legs in Manning Park. High altitude and shade meant lingering frost on the grass.We did not spot the derelict cabin this trip.

We did, though, encounter this cool tree-trunk,. Is it safe to turn your back, or will it lurch after you?

Despite wineries, we arrived in good time, and set up our tent alongside Alicia and Stephen's tent. Most people were sleeping inside the hall because of the cold, but we hardy medievalists were relying on wool and down (and straw mattresses) to shield us through the night. I have a photo of the frosty grass taken early the next morning, but perhaps the point was made above. It was cold. The stars were amazing, bright white in a black black sky. Until I set off the motion-sensitive light outside the hall.

Swans at bowls, on the field behind the hall. Most of the contest is indoors, sitting and chatting in close quarters, thus not appropriate for taking photos. Outdoors it's more relaxed, and I followed the gamesters about making quick sketches. This one they posed for.


Another shot from the bowls game that meandered all about the site. It started in the field beside the hall, wandered past the bandshell, behind the mock-frontier streetfront, through the seating for the fair bbq, past the animal pens, and around to the fighting field. (There was fighting going on, with HH Gemma exclaiming 'Man fall down!' at intervals.)

A game of 9 mans morris outside Alicia's tent. Entrants need to show competence in pastimes their character would have known, as well as skills in their craft or station.
Needless to say (but I will say it anyways) Alicia kicked butt in every category. Happily, all three entrants carried it off successfully and joined the Order of the Golden Swan.
We packed up as early as we could manage the next morning and set off, managing to stop at another couple of wineries on the way back, and take our pictures with the sasquatch.

A Garbage Gobbler, an icon of my childhood travels. Joan poses with it on our way out the gate.
Then I ran away with the sasquatch and was never seen again.

Tuesday, November 27, 2012

more WFC

So my fellow VPXer at this year's World Fantasy Convention was John Chu, fresh from selling short fiction to Asimov's and to Tor.com, and thus in a state of not-quite-believing and recalibrating status as a neopro. (There's more than one kind of 'sense of wonder', and the OMG I'm REAL! version is fun if exhausting.)
I went to more panels than last year, and a mixed bag they were.
I was disappointed in the Humour in Horror and Fantasy panel, because the description promised some historical overview, and it turned into 'who's writing funny books right now' and 'how I shoved humour into my own books'.  Because apparently none of the panelists had ever read any Victorian or Edwardian fantasy, or even much from before the 1990s. Eh. A similar problem turned up with Bibliofantasies (discussing the trope of arcane and dangerous books and libraries) so I wandered over to Have the Antiquarians Served Their Purpose? where the panelists were better acquainted with the topic.
Sandra Kasturi's interview of Tanya Huff was huge fun and very funny. I'd meant to tear myself away and catch a couple of Hadley Rille author readings, but couldn't manage it. Forgive me, I am weak!

Then dinner with my agent, as mentioned before, and back to the hotel for the Autograph Reception. I collected my tent-card (all attendees get a tent-card, whether they plan to use it or not) so that I can pretend to be real, and trotted around to collect autographed books, mostly for Christmas presents.
It's also a good chance to discover new-to-me authors, by asking people what their books are about. The highlights this time were chatting with Hiromi Goto about Darkest Light (she tried and tried to give Gee a happier ending, but the way the story ended was really the only way it could have ended.) and getting to try the Death Machine. My death fortune is 'misfortune', about as non-specific as could be. The person before me got a more specific death.
Hiromi Goto with Darkest Light--you should buy it and read it, even though it isn't out in the States yet.
 The Death Machine. Not only your death:
but a ribbon to stick on your badge saying 'Ask Me How I Die'.

I almost didn't go to the Fritz Leiber panel because Danel Olson was on it, and he brings me out in a rash, but thankfully he wasn't the moderator, so it went much more quickly. The panel on Designing and Building a Book Collection was terrific, though someone behind me was disappointed that it wasn't much more than anecdotes about collecting. Ed Greenwood and John Clute were funny enough that I didn't care.
Then, instead of going to the bar to argue with John Clute about the relevance of social-networking sites to book collectors, I trotted over to The Road to Urban Fantasy, where Farah Mendlesohn had a completely different definition of 'urban' from the other panelists, dating its origins to the first British children's fantasies to use cities for their settings (and entry to other worlds) rather than the countryside, for instance Elidor, by Alan Garner (as opposed to his The Weirdstone of Brisingamen). The other panelists hadn't considered children's books at all, and she wondered if this was a US/UK split.
The other notable panel that day was Diversity and Difference in YA Fantasy, even though the description was rather disjointed and only mentioned female protagonists (perhaps so as not to tread on The Changing Face of YA Fantasy the next morning). Nonetheless, there was a good discussion of diversity in race and ability, and I got to recommend the books of Zoe Marriott, fellow Furtive Scribbler who should be better known in North America.
I felt my hackles rise some when an audience member asked whether the race and/or disability of characters should be mentioned if it wasn't going to be 'dealt with' within the story. The panelists were quite polite in responding that there were still plenty of 'issue novels' being written that were all about the difficulties of being a non-default person in a default white-ablebodied-straight-male setting  (sorry, my paraphrasing got annoyed there) but that there was merit in writing stories where non-default characters were just characters, not problems to be 'dealt with'.
Sunday morning I was torn between Maps in Fantasy Literature and The Changing Face of YA Fantasy, ended up in the latter and stayed in the same room for Part Seen, Part Imagined, which was about fantasy art, particularly book covers. I was impressed that all the artist panelists said they read the book whenever possible and contacted the author whenever possible (sometimes the art director didn't allow contact, hmmm).

Got the usual bag o' books, and added more from the Dealers Room, haunted the swap table, wandered through the Tor party and the Chizine party, sat on the floor in Hospitality and talked about e-publishing with Kathryn Sullivan and about racist subtexts with John Chu, made it to a few readings ( checking my program book suggests Julie Czerneda, Andy Duncan, Max Gladstone, Barb Galler-Smith)
 Andy Duncan answering questions after his reading.
Julie Czernada with her newest book, a fantasy.