We made it home Monday afternoon, despite yea, even more travel glitches--specifically, Delta deciding that there was insufficient connection time between my arrival in Seattle and my departure for Victoria, and cancelling that last flight for me. My husband's reservation, made from the same flight to the same flight, they did not cancel, though it (obviously) had precisely the same amount of time to make the connection.
Maybe they figure girls can't run as fast as boys?
The wonderful staff at Horizon/Alaska, though, got me on to the very same flight I was originally booked for, even though it was overbooked by one already.
But, you say, what about the rest of my trip? Didn't I promise a full post on Hemingford Grey? Have I said anything about London? Where have I been and what have I seen?
Though some of you, faithful readers, may more likely be griping that I've babbled enough about travel and how about something relevant to writing, like whether Willow Knot has had any nibbles yet.
And yes, I will be alternating travel and writing posts for the next little while. In brief, WK has had one very nice rejection in the 'don't think we can market this one but show us the next' vein, and two of the 'doesn't work for me' sort. Cost of Silver is slated for expansion with MOAR HISTRY & MOAR PPLS PLZ.
Yesterday morning my doctor told me that my kidney function is down a trifle and so I will get more tests and potentially a kidney biopsy. Ick ick ick. I'd look it up on Wikipedia, but I'm almost certain it involves Huge Needles and that I might be better off not knowing the details.
So! More later. I'm not jetlagged, but I am uncommon tired, so please excuse the brevity (or appreciate it, as your tastes dictate.)
Maunderings and ramblings of a library assistant, mostly-unpublished writer, occasional anachronist, finder of lost books and roving researcher.
Wednesday, November 17, 2010
Thursday, November 11, 2010
not travel, just books
While travelling, one does tend to read. Waiting at train stations, waiting at bus stops, waiting for something to open, before going to bed, and so on. Here are two quotes that struck me in recent reading.
From In a Dark Wood, by Amanda Craig, Fourth Estate 2000, a contemporary lit novel about a man struggling with the breakup of his marriage and the stalling of his acting career, on a quest to discover the truth about his dead mother, through the memories of her friends and the book of fairy tales she wrote and illustrated.
And from The Historian, by Elizabeth Kostova, Time Warner 2005, enough of a bestseller I don't need to precis the plot.
From In a Dark Wood, by Amanda Craig, Fourth Estate 2000, a contemporary lit novel about a man struggling with the breakup of his marriage and the stalling of his acting career, on a quest to discover the truth about his dead mother, through the memories of her friends and the book of fairy tales she wrote and illustrated.
Ruth fixed me with her eyes. 'If you read fairy-tales carefully, you'll notice they are mostly about people who aren't heroes. They don't have special powers, or gifts. Often they are despised as stupid. They are bullied, beaten up, robbed, starved. But they find they are stronger than their misfortunes.'
'How? How?'
'By luck, or courage, or kindness.'
'Ruth, you must know that in real life, none of those things work.'
'How do you know?' she said. 'Have you tried them?'
And from The Historian, by Elizabeth Kostova, Time Warner 2005, enough of a bestseller I don't need to precis the plot.
The thing that most haunted me that day, however, as I closed my notebook and put my coat on to go home, was not my ghostly image of Dracula, or the description of impalement, but the fact that these things had--apparently--actually occurred. If I listened too closely, I thought, I would hear the screams of the boys, of the "large family" dying together. For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real.
Tuesday, November 9, 2010
pigeon post
Monday, November 8, 2010
really just more photos
walled town to university town
Lincoln is another walled town, medieval walls on top of Roman walls. Here's a nice bit of Roman wall, the North Gate, on Northgate. The sign nearby has a fine b/w photo of a goods lorry stuck midway through the arch, with a stone block (on the upper right, you may be able to spot it) crunching its corner.
The b&b was pretty nice, recently redecorated I think, firm bed and pillows rather hard, and no smoking signs just everywhere you turned, including a dire warning about sensitive smoke detectors connected to the fire station and the penalty for false alarms.
A good full English breakfast, with slice of black pudding (research!). Visited the Museum of Lincolnshire Life, which has some thorough dioramas of stonemasons, basketweavers, tilers, and other things I had to take photos of (for research!). May put up pics later, but for now only brief postings.
Lincolnshire is flat fens. Lincoln is a hill. A steep hill (the name of one of the streets). It is remarkably like Nelson in that way, that one can't really get lost because there's always the slope to orient yourself with. Plus Lincoln has a large pointy cathedral at the top of the hill, so you can orient yourself by whether the cathedral is at your right hand or your left.
Walking in Lincoln is a good way to stay fit.
After that we climbed up nearly to the cathedral and had lunch at Brown's Pie Shop (details to be filled in later and photo added), then descended bookshop by bookshop. I had to be removed from the Lincoln Historical Society bookshop so that Roccie and Ferret could catch their train.
It was a pity Zolah couldn't be there, but in another two years there may be another chance...
The night before, I walked about Lincoln in the dark, while belated Bonfire Night fireworks went off scattered about the town. I stood in the courtyard of the medieval Bishop's Palace, old stone walls all about me, and a skein of geese flew overheard, gabbling and barking. I looked up and saw them as a frayed bar across the deep blue sky, like a single ragged creature.
Then I walked to the Church of St. Mary Magdalene to hear a concert of early music. Do feel free to envy me.
Thursday, November 4, 2010
the pilgrim way
From Canterbury still, but leaving tomorrow morning. Mark for London, me for Lincoln. The EEE goes with Mark, so I won't be posting for a few days.
Canterbury is a walled city, though the wall is down for about 2/3ds of the way. A good part of it is still walkable, and that's how we came from t
he train station to our friends' place. Opposite here is the view from their front door.
It's a school, no public admission. Used to be St. Augustine's Abbey. That's the gatehouse in the photo.
Presently, nearly half the population of Canterbury is students (about 30,000), with the University of Canterbury and the University of Kent, and various schools.
Perhaps relatedly, there are a lot of pubs.
We've eaten twice at the Parrot, where I had pork-belly with mashed potatoes and candied black pudding and crackling and broccoli and green beans and carrots. So good. Transcendent. The second time I split mine, and was able to try out puddings (desserts)--the four of us split Eton Mess (meringue, whipped cream, strawberries, raspberries & sauce), Banoffee (digestive biscuit crust, sliced bananas, toffee & choc drizzle), and chocolate mousse.
I had my required English cream tea, so that's taken care of, at Tiny Tim's Tearoom, 'the quintessential English experience' they say. The name is because there's a haunted room, where a volume of Dickens is supposedly always pulled out and left open to the same passage with Tiny Tim. I was a bit disappointed to visit the Ghost Room and see that the book on the table was a book about hauntings and not Dickens at all. And I couldn't hear the mysterious laughter and whispers of children because they have a student film continually running, which has a soundtrack of children whispering. Harrumph.
Less corporally, yesterday I went to a service at Greyfriar
s Chapel, a lovely Norman stone building straddling the river. About 20 people attended, at least 5 being Franciscans (wearing brown habits--the information board on the ground floor explains about Grey Friars wearing brown or black). I was one of the youngest there, except for a young woman with her 4 yr old daughter, who was remarkably patient during the service.
The homily was for Richard Hooker, whose anniversary it was, and prayers were made for President Obama and the newly-elected representatives, thence down to the local council in Canterbury, and names provided by the congregation members.
I didn't take pics of the interior - it seemed a bit rude right after the service (followed by tea and biscuits), but it's a fine small open space, whitewashed walls and wooden beams. It sheltered Huguenot refugees once, who used the beams for their weaving, which is pretty cool.
There is much else I could say, but Mark wants to check his email, and I need to get some sleep.
Canterbury is a walled city, though the wall is down for about 2/3ds of the way. A good part of it is still walkable, and that's how we came from t
It's a school, no public admission. Used to be St. Augustine's Abbey. That's the gatehouse in the photo.
Presently, nearly half the population of Canterbury is students (about 30,000), with the University of Canterbury and the University of Kent, and various schools.
Perhaps relatedly, there are a lot of pubs.
We've eaten twice at the Parrot, where I had pork-belly with mashed potatoes and candied black pudding and crackling and broccoli and green beans and carrots. So good. Transcendent. The second time I split mine, and was able to try out puddings (desserts)--the four of us split Eton Mess (meringue, whipped cream, strawberries, raspberries & sauce), Banoffee (digestive biscuit crust, sliced bananas, toffee & choc drizzle), and chocolate mousse.
I had my required English cream tea, so that's taken care of, at Tiny Tim's Tearoom, 'the quintessential English experience' they say. The name is because there's a haunted room, where a volume of Dickens is supposedly always pulled out and left open to the same passage with Tiny Tim. I was a bit disappointed to visit the Ghost Room and see that the book on the table was a book about hauntings and not Dickens at all. And I couldn't hear the mysterious laughter and whispers of children because they have a student film continually running, which has a soundtrack of children whispering. Harrumph.
Less corporally, yesterday I went to a service at Greyfriar
The homily was for Richard Hooker, whose anniversary it was, and prayers were made for President Obama and the newly-elected representatives, thence down to the local council in Canterbury, and names provided by the congregation members.
I didn't take pics of the interior - it seemed a bit rude right after the service (followed by tea and biscuits), but it's a fine small open space, whitewashed walls and wooden beams. It sheltered Huguenot refugees once, who used the beams for their weaving, which is pretty cool.
There is much else I could say, but Mark wants to check his email, and I need to get some sleep.
Wednesday, November 3, 2010
WFC 2010
Posting from Canterbury.
Well, the whole enterprise very nearly ended before it began, when I arrived at the airport to check in and the woman at the counter pointed out that my passport had expired 2 weeks ago.
Yes, I am an idiot.
However, the Victoria passport office worked absolute miracles for me and had a new passport for me by 1 pm the next day (can you believe that? I brought them a tub of cookies and a bag of apples) so I flew out the next evening.
I have now met my agent, and a number of her other clients, all of whom think she is wonderful and are ready to sing her praises. (I had confirmation from another client that all the revision that goes on before submission makes a difference and that she had less revision required from her editor.) In case anyone is wondering about the high-flying life of those of us with hot New York agents, for our meeting we ended up in the hospitality / consuite after the cafe got too noisy, and had free tea and pop. And crackers.
We talked about The Cost of Silver, and what I see as the highly uncommercial aspects of it, and what could be done about those. I have the go-ahead to write bigger and broader this time, to really use the historical setting (England in the Stuart and ECW era), and to write several povs or storylines, tying them in rather than leaving those as secondary or tertiary characters.
I suspect this means that revising the first draft will not be finished by the beginning of February as previously estimated.
The question of 'what books is this book like' came up again. So far we have Iain Pears' Instance of the Fingerpost, Kostova's The Historian, and that Dan Simmons' book that starts in a Roumanian orphanage.
I got to vis
it with Terri-Lynn and Cal from VPX, and to fangirl Martha Wells, among others. I got a signed (and inscribed!) copy of Terri-Lynn's book, launched at the con--Finder, published by Hadley Rille. Memo to self: find sparkly gel pens for her to use for future signings. The queen of sparkles needs to have a sparkly signature.
Got to meet Cal's daughter, a bright and talented young lady, with an awesome Goth coat.
Here's a photo of us, taken by Terri's stalwart husband. I don't know how well Terri's tattoos show up, but they are works of art.
Good con stuff: excellent food in the consuite; a talk by Mary Robinette Kowal on how to improve readings, truncated to a half-hour and continued in the bar. I had to miss the latter part because I wanted to attend the panel on Fantasy as the Art of Leaving Things Out, which was also pretty good. And here's a picture of that panel, with Martha Wells in the centre, moderating
. Somehow I missed catching her in the big autograph session--missing people there seems to be a gift I have. But I was able to meet Lane Robins and engage in some mutual squeeing over how good The Wizard Hunters is.
Also met Alaya Dawn Johnson and bought her last copy of Moonshine (ha ha!) and was able to tell her that I'd looked for and bought her previous two books, the Spirit Binders series/trilogy after reading the sampler at last year's WFC. So the sampler works.
I picked up my tent card after the signing session, but with only 4 e-stories to my name, I don't have anything to sign, myself.
I don't have the programme book with me, so I can't do a full con report, but overall it was a good con. I never got into the art show, which was a pity, because it looked good although out of my price range.
Not quite as many books in the bag as with previous years, and the swap table pickings were fairly lean--there were four books that were fairly constantly present, and others were only available briefly. I was happy to snatch up a copy of the new Holly Black, and to have a copy of Secret History of Moscow in my bag.
Then I posted all that back home, because when I'm travelling I try to carry only books I'm willing to leave behind when I've finished them. So I picked up a copy of Night of Knives from the table, and unfortunately while I'm quite willing to leave it behind, I'm not nearly as willing to finish reading it. The story is okay if you like gaming-based heroic fantasy where the story fills in cracks of a much bigger storyline, but I'm having trouble with the author's persistent misuse of words and clumsy sentences. ('rind of bread', 'cantered' for 'canted', 'malinger' for 'linger', etc.) The character with a crossbow strapped to her leg, lying on a rooftop, kind of boggled me too (and she's an adolescent girl: does the author know what upper body strength is required to draw a crossbow?).
Oh well, gripe gripe gripe. I've picked up a couple of books from the Oxfam shop to tide me over.
More later!
Well, the whole enterprise very nearly ended before it began, when I arrived at the airport to check in and the woman at the counter pointed out that my passport had expired 2 weeks ago.
Yes, I am an idiot.
However, the Victoria passport office worked absolute miracles for me and had a new passport for me by 1 pm the next day (can you believe that? I brought them a tub of cookies and a bag of apples) so I flew out the next evening.
I have now met my agent, and a number of her other clients, all of whom think she is wonderful and are ready to sing her praises. (I had confirmation from another client that all the revision that goes on before submission makes a difference and that she had less revision required from her editor.) In case anyone is wondering about the high-flying life of those of us with hot New York agents, for our meeting we ended up in the hospitality / consuite after the cafe got too noisy, and had free tea and pop. And crackers.
We talked about The Cost of Silver, and what I see as the highly uncommercial aspects of it, and what could be done about those. I have the go-ahead to write bigger and broader this time, to really use the historical setting (England in the Stuart and ECW era), and to write several povs or storylines, tying them in rather than leaving those as secondary or tertiary characters.
I suspect this means that revising the first draft will not be finished by the beginning of February as previously estimated.
The question of 'what books is this book like' came up again. So far we have Iain Pears' Instance of the Fingerpost, Kostova's The Historian, and that Dan Simmons' book that starts in a Roumanian orphanage.
I got to vis
Got to meet Cal's daughter, a bright and talented young lady, with an awesome Goth coat.
Here's a photo of us, taken by Terri's stalwart husband. I don't know how well Terri's tattoos show up, but they are works of art.
Good con stuff: excellent food in the consuite; a talk by Mary Robinette Kowal on how to improve readings, truncated to a half-hour and continued in the bar. I had to miss the latter part because I wanted to attend the panel on Fantasy as the Art of Leaving Things Out, which was also pretty good. And here's a picture of that panel, with Martha Wells in the centre, moderating
Also met Alaya Dawn Johnson and bought her last copy of Moonshine (ha ha!) and was able to tell her that I'd looked for and bought her previous two books, the Spirit Binders series/trilogy after reading the sampler at last year's WFC. So the sampler works.
I picked up my tent card after the signing session, but with only 4 e-stories to my name, I don't have anything to sign, myself.
I don't have the programme book with me, so I can't do a full con report, but overall it was a good con. I never got into the art show, which was a pity, because it looked good although out of my price range.
Not quite as many books in the bag as with previous years, and the swap table pickings were fairly lean--there were four books that were fairly constantly present, and others were only available briefly. I was happy to snatch up a copy of the new Holly Black, and to have a copy of Secret History of Moscow in my bag.
Then I posted all that back home, because when I'm travelling I try to carry only books I'm willing to leave behind when I've finished them. So I picked up a copy of Night of Knives from the table, and unfortunately while I'm quite willing to leave it behind, I'm not nearly as willing to finish reading it. The story is okay if you like gaming-based heroic fantasy where the story fills in cracks of a much bigger storyline, but I'm having trouble with the author's persistent misuse of words and clumsy sentences. ('rind of bread', 'cantered' for 'canted', 'malinger' for 'linger', etc.) The character with a crossbow strapped to her leg, lying on a rooftop, kind of boggled me too (and she's an adolescent girl: does the author know what upper body strength is required to draw a crossbow?).
Oh well, gripe gripe gripe. I've picked up a couple of books from the Oxfam shop to tide me over.
More later!
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