Monday, November 8, 2010

walled town to university town

Writing now from Cambridge, but of Lincoln. Reunited with me EEE, hurrah!

Lincoln is another walled town, medieval walls on top of Roman walls. Here's a nice bit of Roman wall, the North Gate, on Northgate. The sign nearby has a fine b/w photo of a goods lorry stuck midway through the arch, with a stone block (on the upper right, you may be able to spot it) crunching its corner.
The b&b was pretty nice, recently redecorated I think, firm bed and pillows rather hard, and no smoking signs just everywhere you turned, including a dire warning about sensitive smoke detectors connected to the fire station and the penalty for false alarms.
A good full English breakfast, with slice of black pudding (research!). Visited the Museum of Lincolnshire Life, which has some thorough dioramas of stonemasons, basketweavers, tilers, and other things I had to take photos of (for research!). May put up pics later, but for now only brief postings.

Lincolnshire is flat fens. Lincoln is a hill. A steep hill (the name of one of the streets). It is remarkably like Nelson in that way, that one can't really get lost because there's always the slope to orient yourself with. Plus Lincoln has a large pointy cathedral at the top of the hill, so you can orient yourself by whether the cathedral is at your right hand or your left.
Walking in Lincoln is a good way to stay fit.

Here, in St. Mary le Wigfort's, oldest church in Lincoln, right next to the railway station, I had tea with fellow ABE forumites Rocambole, Ferret, and 2manybooks.
After that we climbed up nearly to the cathedral and had lunch at Brown's Pie Shop (details to be filled in later and photo added), then descended bookshop by bookshop. I had to be removed from the Lincoln Historical Society bookshop so that Roccie and Ferret could catch their train.
It was a pity Zolah couldn't be there, but in another two years there may be another chance...

Somehow, yet again, I did not make it into the castle, but here is a picture taken while leaving.
The night before, I walked about Lincoln in the dark, while belated Bonfire Night fireworks went off scattered about the town. I stood in the courtyard of the medieval Bishop's Palace, old stone walls all about me, and a skein of geese flew overheard, gabbling and barking. I looked up and saw them as a frayed bar across the deep blue sky, like a single ragged creature.
Then I walked to the Church of St. Mary Magdalene to hear a concert of early music. Do feel free to envy me.

Thursday, November 4, 2010

the pilgrim way

From Canterbury still, but leaving tomorrow morning. Mark for London, me for Lincoln. The EEE goes with Mark, so I won't be posting for a few days.

Canterbury is a walled city, though the wall is down for about 2/3ds of the way. A good part of it is still walkable, and that's how we came from the train station to our friends' place. Opposite here is the view from their front door.
It's a school, no public admission. Used to be St. Augustine's Abbey. That's the gatehouse in the photo.
Presently, nearly half the population of Canterbury is students (about 30,000), with the University of Canterbury and the University of Kent, and various schools.

Perhaps relatedly, there are a lot of pubs.
We've eaten twice at the Parrot, where I had pork-belly with mashed potatoes and candied black pudding and crackling and broccoli and green beans and carrots. So good. Transcendent. The second time I split mine, and was able to try out puddings (desserts)--the four of us split Eton Mess (meringue, whipped cream, strawberries, raspberries & sauce), Banoffee (digestive biscuit crust, sliced bananas, toffee & choc drizzle), and chocolate mousse.
I had my required English cream tea, so that's taken care of, at Tiny Tim's Tearoom, 'the quintessential English experience' they say. The name is because there's a haunted room, where a volume of Dickens is supposedly always pulled out and left open to the same passage with Tiny Tim. I was a bit disappointed to visit the Ghost Room and see that the book on the table was a book about hauntings and not Dickens at all. And I couldn't hear the mysterious laughter and whispers of children because they have a student film continually running, which has a soundtrack of children whispering. Harrumph.

Less corporally, yesterday I went to a service at Greyfriars Chapel, a lovely Norman stone building straddling the river. About 20 people attended, at least 5 being Franciscans (wearing brown habits--the information board on the ground floor explains about Grey Friars wearing brown or black). I was one of the youngest there, except for a young woman with her 4 yr old daughter, who was remarkably patient during the service.
The homily was for Richard Hooker, whose anniversary it was, and prayers were made for President Obama and the newly-elected representatives, thence down to the local council in Canterbury, and names provided by the congregation members.
I didn't take pics of the interior - it seemed a bit rude right after the service (followed by tea and biscuits), but it's a fine small open space, whitewashed walls and wooden beams. It sheltered Huguenot refugees once, who used the beams for their weaving, which is pretty cool.

There is much else I could say, but Mark wants to check his email, and I need to get some sleep.

Wednesday, November 3, 2010

WFC 2010

Posting from Canterbury.

Well, the whole enterprise very nearly ended before it began, when I arrived at the airport to check in and the woman at the counter pointed out that my passport had expired 2 weeks ago.
Yes, I am an idiot.
However, the Victoria passport office worked absolute miracles for me and had a new passport for me by 1 pm the next day (can you believe that? I brought them a tub of cookies and a bag of apples) so I flew out the next evening.

I have now met my agent, and a number of her other clients, all of whom think she is wonderful and are ready to sing her praises. (I had confirmation from another client that all the revision that goes on before submission makes a difference and that she had less revision required from her editor.) In case anyone is wondering about the high-flying life of those of us with hot New York agents, for our meeting we ended up in the hospitality / consuite after the cafe got too noisy, and had free tea and pop. And crackers.
We talked about The Cost of Silver, and what I see as the highly uncommercial aspects of it, and what could be done about those. I have the go-ahead to write bigger and broader this time, to really use the historical setting (England in the Stuart and ECW era), and to write several povs or storylines, tying them in rather than leaving those as secondary or tertiary characters.
I suspect this means that revising the first draft will not be finished by the beginning of February as previously estimated.
The question of 'what books is this book like' came up again. So far we have Iain Pears' Instance of the Fingerpost, Kostova's The Historian, and that Dan Simmons' book that starts in a Roumanian orphanage.

I got to visit with Terri-Lynn and Cal from VPX, and to fangirl Martha Wells, among others. I got a signed (and inscribed!) copy of Terri-Lynn's book, launched at the con--Finder, published by Hadley Rille. Memo to self: find sparkly gel pens for her to use for future signings. The queen of sparkles needs to have a sparkly signature.
Got to meet Cal's daughter, a bright and talented young lady, with an awesome Goth coat.

Here's a photo of us, taken by Terri's stalwart husband. I don't know how well Terri's tattoos show up, but they are works of art.


Good con stuff: excellent food in the consuite; a talk by Mary Robinette Kowal on how to improve readings, truncated to a half-hour and continued in the bar. I had to miss the latter part because I wanted to attend the panel on Fantasy as the Art of Leaving Things Out, which was also pretty good. And here's a picture of that panel, with Martha Wells in the centre, moderating. Somehow I missed catching her in the big autograph session--missing people there seems to be a gift I have. But I was able to meet Lane Robins and engage in some mutual squeeing over how good The Wizard Hunters is.
Also met Alaya Dawn Johnson and bought her last copy of Moonshine (ha ha!) and was able to tell her that I'd looked for and bought her previous two books, the Spirit Binders series/trilogy after reading the sampler at last year's WFC. So the sampler works.
I picked up my tent card after the signing session, but with only 4 e-stories to my name, I don't have anything to sign, myself.

I don't have the programme book with me, so I can't do a full con report, but overall it was a good con. I never got into the art show, which was a pity, because it looked good although out of my price range.
Not quite as many books in the bag as with previous years, and the swap table pickings were fairly lean--there were four books that were fairly constantly present, and others were only available briefly. I was happy to snatch up a copy of the new Holly Black, and to have a copy of Secret History of Moscow in my bag.
Then I posted all that back home, because when I'm travelling I try to carry only books I'm willing to leave behind when I've finished them. So I picked up a copy of Night of Knives from the table, and unfortunately while I'm quite willing to leave it behind, I'm not nearly as willing to finish reading it. The story is okay if you like gaming-based heroic fantasy where the story fills in cracks of a much bigger storyline, but I'm having trouble with the author's persistent misuse of words and clumsy sentences. ('rind of bread', 'cantered' for 'canted', 'malinger' for 'linger', etc.) The character with a crossbow strapped to her leg, lying on a rooftop, kind of boggled me too (and she's an adolescent girl: does the author know what upper body strength is required to draw a crossbow?).
Oh well, gripe gripe gripe. I've picked up a couple of books from the Oxfam shop to tide me over.

More later!

Wednesday, October 27, 2010

my tattoos

Brand new and still healing.



This is the labyrinth pattern I build with stones each year at Fort Rodd Hill. I wanted a human figure in the centre, like the female figure in the Sibbo wall-painting, but it wouldn't have been legible without making the labyrinth huge. So a dot, standing for me being midway (a labyrinth is a two-way journey, there and back)
Also, if I forget the pattern next year at Fort Rodd Hill, I can just ask someone to look at the back of my neck.



A jellyfish, on my right shoulder, for the phosphorescent ctenophora at Martha's Vineyard during Viable Paradise (yes I know this isn't a ctenophore, it's a moon jelly) and for my first pro-rate sale, which features flying jellyfish.
And VPX, for Viable Paradise Ten, my year and my tribe.

Garden in autumn


These are all photos that Mark took, and since I've been slack about posting this month, I'm taking the chance to show off his work.

Here are rosehips, from the rugosa in the front yard, I think. The gallica in the back still has a few blooms, or did until the winds last weekend, but the rosehips are making a fine display.
You can eat rosehips, just don't eat the hairy bit in the middle. Ptah!




Crocus! The kind that produces saffron--see the lovely yellow stamens? The bulbs were planted years ago, and only now do we have more than three showing up in a year.
Mark harvested the saffron and made saffron rice.








A white slug. I've never seen one all white before. I'm much more used to the small brown ones and the big banana slugs (childhood memories of stepping on a banana slug, and the slime making everything stick to one's bare foot afterwards).

It's rather beautiful in a slimy translucent way.

Sunday, October 17, 2010

clawing my way

from under a heap of apples, rather like James T. Kirk in the tribbles episode, only apples are hard and some of them have mushy bits or bug-bites.

Last weekend I was in the Interior, attending the Golden Swan event and spending time with Alis/Rajpal and Lucy, my most distant apprentices. Riding with me was Deirdre Greenwood, with whom I am in apprentice negotiations. This was the road-trip test, to see whether either of us had such annoying habits that the other would want to leave them behind at a rest area.
I am pleased to report that we both made it back to our respective homes. Though the last part of my trip makes for a long and convoluted story that can only be properly shared in person, and all I will say at present is that I am really surprised BC Ferries has apparently no provision at all for dealing with someone who falls ill during the trip. I mean, not even a place to lie down.
But I am back now, and mostly recovered. It has been a social month so far, with the spare bed not having a chance to be folded back up between Deirdre, Alis and Sitavati, and Stephen visiting, and that just at our place, not counting travels & socialising.

Me with three apprentices, in front of my little tent, Cawston BC.

The apple trees have taken advantage of my absence to start dropping fruit in earnest. We gave two buckets away, and I still have a sinkful to process into dehydrator loads and frozen crumbles. I'm missing the boy and his appetite for apple pies, since the freezer will only hold so many. I may have to start pushing frozen pies onto stray visitors: 'What do you mean you'll be on the road for 3 days? Look, I'll bake it for you, then you can just eat it on the way!'

Then there's deciding on an itinerary for the UK visit, booking b&bs, and figuring out how to pack for the very professional & businesslike World Fantasy Convention and also for hiking around the UK in the cold. Which I admit is a damn fine problem to have, and I'm not actually complaining, just noting what has my brainpower booked lately.

Do I have any writing-related thoughts? Yes, I think I do. As with other times that I've attended Golden Swan, which is a persona-development challenge (sometimes called competition, but since there can be several winners or none, it's not really competing), I notice that what makes a presentation of one's persona work is not so much the big-picture info-dumps, but the small details of the texture of one's life. Lucy did well with her entry, in part because she knew the layout of her home, the way down the stairs with the low beam, drawing water in the courtyard to wash. Another entrant did less well because she knew how 'male children' were taught, but could say nothing about her own son's education, whether he liked his tutor, what he learned quickly and what he was slow at.
The other thing I notice is that while those small, telling details are effective, they need to be researched, or you risk breaking the illusion with a mistake. Anne Rice broke the illusion in Cry To Heaven (for me) by having a character burn a parchment letter in a candle flame--I've worked with parchment, which is essentially fine, thin, smooth rawhide. Imagine burning a dog-chew and you see the problem. Similarly, an entrant this year presented an 11th or 12th century noblewoman and told us about her psalter, made by 'students' at the nearby priory. Um, no. Personal ownership of books is a watershed moment, and it comes at the earliest in the late 14th c. by which time books are being produced in secular workshops. She had, essentially, told me that she'd researched everyday life in the wrong century, and skimpily at that.
Ah well, pedantry: hobby, sport, or vocation?
Or just a relief from the burden of apples?

Monday, October 4, 2010

GoH gofer go!










Apparently I am both awesome and organised. How about that?
Back from VCon, where I set up the SF-Canada table, which was fiddly but not difficult, and followed Cherie Priest about, which was fun. I was unsure how officious and flunky-like to be, but she is among the least diva-like people imaginable, and by Sunday I was just waving as she went by and asking 'Need anything?'.
So, y'know, it was mostly a matter of not screwing up majorly, which I can often manage, though I did splash dumpling-filling over myself at the Shanghai River (which is a restaurant). Mark and Cherie ate a good deal of a rock cod, unfazed by its head and outspread fins.
Should I be chronological? Can I do that and still skip the boring bits?

Let's see.
Thursday: I packed like mad. Took 1pm sailing to Tswawassen, then bus and skytrain to Richmond. Walked to the Marriott. Found VCon people, found that Cherie had been safely picked up and was sleeping in her room. Helped carry stuff to art room. Helped carry stuff to hospitality. Went off with Michael Walsh (the man with the Daffy Duck tie) to haul stuff from their place to hospitality. Hung about in lobby waiting for people to show up. Introduced Dave Duncan & Cherie Priest to each other. Went for dinner at the Mad Greek with guests of honour and concom (this for being liaison/gofer for a GoH). Cherie Priest and Heather Dale are good raconteurs (raconteuses?) and Cherie told ghost stories plus amusing stories of personal injuries.
Returned to hotel, found husband setting up his tables, in midst of considerable confusion over how all the dealers tables would fit in the room and question of whether hotel was really going to supply the tables originally requested (request having been lost and hotel disclaiming knowledge). Situation not aided by dealer coordinator walking off with one and only layout map several times. I am encouraged to take one of the tables and set up, so as to be harder to dislodge. Do so. This works, although table is several times moved, finally squashed into corner which does have advantage of providing vertical visibility for SF-Canada banner. Books are brought, accumulating to a lively display. Every single one of the plate-stand book-stand thingies that I bought and that Mark lent me is eventually used, as is every one of the DISPLAY COPY slips that I printed out. About 1/3 of the table is dedicated to display copies, with notes about where they can be purchased at the con.
Friday: more setup of table, and rearrangement as it is moved. Registration is having trouble connecting and setting up. I make roughly calligraphed signs saying PRE-REG and REGISTRATION but wickedly do not bother to pick up my registration packet until much later when the computer setup is mostly working and the nasty big pre-reg line has died down.
Registration is supposed to have Cherie's schedule, but cannot find it in the database. I borrow Johanna-the-lovely-Media-lady's programme book and mark all of Cherie's panels in the pocket program, then deliver a marked copy to Cherie. Later I meet Pauline who has a thumb-drive with the schedule in it. She gives me printouts and a tent-card to deliver. Do so. Run into Dave Duncan who is off to dentist to have tooth glued back in.
Attend opening ceremonies possibly first time in years. Go for dinner at Shanghai River with GoH and own husband. Terrifying tales of book launches and book fairs. Attend Heather Dale concert.
Saturday: breakfast at hotel's buffet, mostly okay. Knock on Cherie's door to find her working on article for Subterranean. She comes for breakfast and chat. Terrifying tales of deadlines. In between table duty and rearranging books as more arrive, and hearing rumours that Chris and Shannon are on site, I attend You Suck! No, You Suck! panel on workshops; GoH interview; How Did That Get on My Cover?; Draw Me This!; and am invited onto the Vampire panel by Sandra Wickham, which is very flattering. Finally find Chris and Shannon at that panel. Mark, Chris, Shannon and I go for a family dinner at No. 9 restaurant. SF Canada party and bed, in that order.
Sunday: breakfast at hotel buffet. Check schedule with Cherie, who now knows her way around the hotel better than I do. Final bids on art show (trying for another of Danielle's cool little shadow boxes). Make it to panel I really want to attend - History is my Playground. Pretty good. Book takedown and packing, pick up art show wins, sneak some time at Turkey Readings, yay!

Clever things I did: asked my niece Piper to cat-and-house-sit.
Found two small red tablecloths, so I could put one at each end of the SFC table, with the white cloth in between suggesting the Canadian flag, PLUS the two contrasting colours meant a book could always be put on a surface that let it stand out (yes, I totally planned this, and it had nothing to do with the first two tablecloths I pulled out of my someday-I'll-paint-this box. Nothing.)
Married a man who would lend me almost a dozen stands for books so they could be visible from a distance.
Asked my BNF friend Betty about the duties of a gofer.
Made up flyers with text swiped from the SFC website.
Went to bed by midnight each night.
Got almost all the money and leftover books back to someone responsible by the end of the con--except for those needing to be mailed, which remain with me.

There was a multi-author book launch Friday, in a room with rather definite acoustics. And just for Terri, here's a little film of one table, with Dave Duncan and other members of SF-Canada:





Lately, as my regular readers will expect, I have been beset by apples (which as a phrase is very nearly a googlewhack), to add to which I inexplicably brought home two large buckets of apples from my brother's trees. So, I've been processing apples to make apple crumbles, and when I have sixteen or so in the freezer I'll move on to pies. I'm feeling somewhat paranoid about getting done with the apples, since I'll be away for very nearly 3 weeks from the end of October, when they'll be dropping like mad.
Which is to say that I've been processing apples most nights, interspersed with packing up stuff for a sales-and-display table at VCon, trying for 600 words minimum each morning (which seems to be my comfortable rate for an hour's work). And trying not to worry about prep for the trip to Golden Swan, or about how to pack for both World Fantasy and hiking about in the UK in the rain.
Which is to say that I probably could have been more organised, but things went reasonably well nonetheless.